Greetings from...the Road to Nowhere

Greetings from...the Road to Nowhere

Friday, April 1, 2011

Anarchy of Dusk

by Bobbi Sinha-Morey

In the anarchy of
dusk, despair returns
each minute like a
drop of moonshine
and, with less salva-
tion, the voices of
birds quiver in each
song, shattering the
stillness that swallow
a man's spirit. The
heart's rainy darkness
is no solace for my
soul, only a map of
brightness, but I've
nowhere to go. The
distance that divides
us leaves me feeling
so isolated. My anger's
been buried and stolen
back from the soil.
Trust and love is white
dust on dark furniture;
layers of the past you've
shared with me without
any sign of you in the
future. If I wait, time is
nothing but an endless
bridge. Yet your memory
remains. You leave traces
of yourself wherever you
go.

Duet

by Tatiana Ambrose

Heart

Drawn in a red sharpie-
encased with a plastic coat,
peeling from heart break
this happened months ago.


Bed Fellow

He looked like a rich brown beard,
as yawns snuck through his torn gap-
weaving off the bedroom boards,
until I slumbered off to sleep

Fire Water

by Subhankar Das

I am too sleepy my treasure. It is not that this fragile desire of the body is too tired. Just feeling sleepy in this tiresome living. You also must be sleeping now. You do not get up this early. When did you last get up to see the dawn breaking? I only learned it from you that if I want dawn I must stay awake the whole night. You know I also stayed up the whole night and at day break rushed out in the city. I always loved the cold morning air. Just like hunting the crows on the roof top days, when I was a kid. The wooden gun never made any sound or no bullets can be fired from it. So I tried making sounds like gun firing and aimed but not a single crow would die. ‘Why they are not dying father’? I asked. And my father gave that infallible reply – ‘They will go home and die’.

Glutton

by Sarah Anne Stinnet

You’re dead now.
Your life spent
celebrating with cake, cookies, candies, Pi.
Math counted when you saw the numbers
under your feet,
under your legs,
under your hips curving up to the tip
top of your head,
now calculate your sum,
you’re dead.
As bees in honey drown
you take too much, you
take too much, you take
too much.
The persistent hum of your heart
stopped.
You are a tire I slashed
a penny I placed on train tracks
the paint I spilled
on a canvas of your face
so I will always know
you’re dead now.
On your tombstone, iron cast,
It reads, “Thin At Last.”

I Hide the Core Heap Under the Bed

by Jessica Poli

Balsa hands and
red sugar on hot fingers;
you used to have a hold on me.

We loved caffeine and
made love under black lights.
Teeth glowing as they crashed together.

Lint behind the washer
tends to settle on my lips. Remember,
you used to brush it away. Used to call me things.

I’ve been a lot of things -
sea monsters and bridesmaids.
You said them all while you traced my thighs.

Let me melt, I always said.
You fed me apples in the morning;
you told me not to cry and fed me apples.

Kite Strings

by Sadie Harris

Having moved easily away
beyond the vitreous drink
past perpetual reefs
where choppy, lapping waves
laugh at old tales,

Cutting through effervescence
into an aubergine vast,
there, no delineation
or compulsions
define boundaries
or deprive the existence of
one's precarious balances.

Unfixed, sentient,
the shoreline
has receded from view.
Distance, but a blur.
Silence altering,
rippling this present capacity .
Succor?
But a hand flying
with the wings of paradise.

Once a Boy

by Taufiq bin Abdul Khalid

Once a boy
I was once a boy,
And I came upon the shore of a mighty sea,
I tarried by her awhile,

But soon I grew scales and gills,
And swam in her depth, as a fish,

Then I sprouted wings,
Flying high across the sea,
Skimming over her waves,
As a seagull,

Later I turned into a fisherman,
Finding rich bounty in
Her deep blue mercy
To feed my family.

Finally I returned to the boy that I was,
And into the water I peered,
To see a reflection of myself
Looking back at me, and asking
“Who are you?”

Sacrificial Lambs

by Mike Perkins

not all die
but many do
they come back
sometimes whole in body
but wounded in the mind
or maybe in pieces
missing one ancillary appendage or another
such as an arm
or a leg
or some creative combination
or perhaps all four
it is all
subject to
the vagaries of war
all based on a spinning moment
a probability
of timed confusion
the moment
which becomes the epicenter
the fall from grace
youth gushing from the man made spring
of traumatic fluids
framed by odd angles
with boundary markers of unnatural holes
from which something emerges
struggling
as if from a cocoon
in swaddling bandages
something new
yet old and unchanged
a vague resemblance of something before
but nothing stays the same anyway
during the recovery
which is never complete
just scabbed over
rubbed raw by prosthetics
chemical as well as mechanical
how do you salute without hands?
march without feet?
there is no parade rest for the deboned weary
then a medal
some recognition
awkward silences
inane comments
a jolly brave laugh attempt at humor
the bystanders feel wounded
and are comforted
by the victims themselves
in a
punch and cookie reception
then a check
then perhaps a pension of sorts
before the big forgotten

Southern Boulevard

by Alan Britt

Give blood.

That’s right.

Donate blood: O negative,
B positive, A whichever way
the windmill blows,
but give blood to future governors
and presidents in incubators,
blood enough to clot glaciers,
razor-blue glaciers crumbling
daily into Eagle Lake.

Sure, you could legislate
the gradual demise of blueblade glaciers
crumbling into the Pacific,
raising sea level by a mere
twelve to eighteen inches,
(that’s one and a half feet, to you and me),
but blood, my friends,
my terrestrial brothers and sisters;
there’s simply no substitute
for good ‘ol red and white corpuscles,
generations in hindsight, of course, that end
with a fist and a sickle spilling blood like oil
through the plaster walls and Venetian blinds
and wooden frames of Afghan, Iraqi
and Palestinian apartments.

You think oil and blood
are the same thing?

Regular citizens crucified
for another 2,000 years?

Well, friend, and I say this
with critical sincerity,
our sand, like all sand,
struggles tooth and nail
through the hourglass hips
of a black hole,
or an outdated religion,
or whatever else you
might call it.

But the point is,
this newest bullshit version
of a monarchy, planetary domination
via your tax dollars and mine,
well, I just have to say
that plain speech is sometimes underrated.

Plain speech can alert us
to a whole host of priorities
(sometimes known as periodic corrections
to the moral market);
plain speech can deliver us
from the depths of wretchedness
not unlike Rapunzel,
Hansel and Gretel, the Emperor in designer nudity,
or those train tracks revealed one afternoon,
tracks buried in the front yard
of a dingy white clapboard house
just off Southern Boulevard.

The Vending Machine

by Robert E. Petras

Life is like a vending machine
the woman with the secret wrote,
you spin the shelves around
and choose what you want
just by pushing the buttons
of visualization and self-talk
and positive thinking.
The law of quantum physics is
irrefutable.

At an ATM machine I visualized
a return of 40 dollars
for my 40 dollars in
and a $2.25 service fee
and received enough vending power for a week.
“I am in the process of spinning
the world around,”
I told myself.
“I am Atlas twirling a circle
of quarks upon my fingertips.”
I rubbed my hands together,
I licked my lips
and stepped into line.
When my turn came
to give the machine a spin
only baloney sandwiches remained.

Time Wears Away The Stone

by Patrick Walsh

net of fishes shores of plenty
cast of blind hooks for foolishness
words from farside going crazy
you mustn't look I mustn't see

so once you gave though I doubted
the song of truth if that's what was
others couldn't grasp your lightness
yet raged to live in fire's doublet

now the bells toll these old church stones
for message dulled need not be lost
years are fossils as hearts stonecold
no dreams indulged on hard life's coast

Wednesday's Soliloquy

by Emma Eden Ramos

Closing Wednesday's soliloquy in a pine box,
August's heat afflicts only the living for whom Demeter's willowy hands hold parched pupils.
Wednesday's lyrics have gone underground with black martian dresses and a sterling silver pentacle.
Above, Sunday's Arian daughter is tap dancing on grandpa's hedge stone.
Now words are pretentious and black is a flavor.
Funeral dresses taste like expired breast milk while an ancient tree lends her branches to horny pigeons.
A Catholic service.
The dead excrete only evaporated flesh and calcified bone.
Wednesday's words can't remember their meaning; they've simply become anorexic.
Invisible.
The trees are rapists and the wind has SARS.
A beggar's banquet, this here graveyard.
Wednesday swallows the cemetery pollution like a heavy sob.
The alphabet has now rearranged itself and there is a strong odor of mango shaving cream.
Words are useless because people are hollow.