by Anna J. Fitting
I have kept that first sensation of thinking
That I had existed a whole six years
Not having met
a grin so extensive as the cow’s skull
resting on the metal tabletop of the wet market.
the intrusive stare of the cow’s head,
now attended shoppers with his itching grin,
of teeth as sparse and left-over seeming
as the struggling patches of vegetation on
an August stricken lawn.
Neither gums nor lips remained to dull it.
He was tormented.
torn to a hanging, peeled sinuousness.
Here is what a cow can be, I thought,
that once lived fused to rough minute hairs,
crooking legs, mobile feet,
set stationary,
an accidental spectacle of blooming mottled pink,
the discard among the butcher’s spread.
Sunday, January 30, 2011
spinal tap
by Panos Panagiotopoulos
so bring your wings on me
make each flutter meaningful,
make it matter to yourself,
it's possible that I am one who should not
be trusted or relied on,
[no]
I am not your friend nor lover
but still, talk to me, pretend I am either
talk to me, I'm fed up with all this crying
all I read about is tears and hearts enduring
bodies under word and dot stampedes
[space]
I'm tired and I need to see
a crack, somewhere,
the foramina of days
as they press their patent grim against my skin,
[available]
the sun retreats and I'm more or less sitting
by my self,
writing radioactive verses
[for us]
on my self
I wanted to be the book you'd read one day
handed to you by a friend or lover
or sometimes both, you'd lick your fingers and
rummage through me
[lover]
because your life is the party I'm crashing
observing your guests from the coffee table
until their rude potential sits on me
so quiver and make it matter
make it meaningful, if only
to yourself
so bring your wings on me
make each flutter meaningful,
make it matter to yourself,
it's possible that I am one who should not
be trusted or relied on,
[no]
I am not your friend nor lover
but still, talk to me, pretend I am either
talk to me, I'm fed up with all this crying
all I read about is tears and hearts enduring
bodies under word and dot stampedes
[space]
I'm tired and I need to see
a crack, somewhere,
the foramina of days
as they press their patent grim against my skin,
[available]
the sun retreats and I'm more or less sitting
by my self,
writing radioactive verses
[for us]
on my self
I wanted to be the book you'd read one day
handed to you by a friend or lover
or sometimes both, you'd lick your fingers and
rummage through me
[lover]
because your life is the party I'm crashing
observing your guests from the coffee table
until their rude potential sits on me
so quiver and make it matter
make it meaningful, if only
to yourself
The bars are closing
by Mathew Richard Carter
and only stranded patrons
linger along with all this
precipitation, like the remnant
petals of a peony following these hours
of darkness caused by pervasive tempest.
I’ve never seen such torrential waters
forcing down its weight, its power,
an ambitious fountain cascading at
warp speed. We’re mere ants who scramble in an empty
bucket’s bottom, filling fast, faster. No choice aside from
punching forward, each direction is entirely
identical. The splash of rainfall over blurred
pavement – ah, too much, washing the scene
to black and wet. Drawn side-to-side with
sweeping charcoals. Our sodden clothing established
presence by its drape, we scamper to the car
misplaced in labyrinth-city quadrants.
Still, no regard in this most beauteous
of waterfalls – imagining these pools
below us foster fish … as profound as
ocean gullies – with depths to imbibe
the rest of this deluge.
and only stranded patrons
linger along with all this
precipitation, like the remnant
petals of a peony following these hours
of darkness caused by pervasive tempest.
I’ve never seen such torrential waters
forcing down its weight, its power,
an ambitious fountain cascading at
warp speed. We’re mere ants who scramble in an empty
bucket’s bottom, filling fast, faster. No choice aside from
punching forward, each direction is entirely
identical. The splash of rainfall over blurred
pavement – ah, too much, washing the scene
to black and wet. Drawn side-to-side with
sweeping charcoals. Our sodden clothing established
presence by its drape, we scamper to the car
misplaced in labyrinth-city quadrants.
Still, no regard in this most beauteous
of waterfalls – imagining these pools
below us foster fish … as profound as
ocean gullies – with depths to imbibe
the rest of this deluge.
The Devil, A Long Spoon, and a Serious Error in Judgement
by Carmen Taggart
She said come dine with me,
I hold the answers to a more vibrant life.
She was rockin’ the red dress and the stiletto heels.
Who could resist?
We discussed a contract over tea and cakes.
I didn’t need my really long spoon,
She tasted sweeter than honey.
Whispered promises, unslakable desire,
Our entwined bodies reflecting in the window glass,
Her reflection craggy, wrinkled, and withered,
The darkness of her soul no longer contained within a youthful facade.
She turned as red as her dress, heels stomping, you can’t walk away from me!
Oh, but I can, you have no power over me.
Yes, I do!! You need me! I am a celebutant! I hold the answers! Only me!
I laughed as I walked away.
She said come dine with me,
I hold the answers to a more vibrant life.
She was rockin’ the red dress and the stiletto heels.
Who could resist?
We discussed a contract over tea and cakes.
I didn’t need my really long spoon,
She tasted sweeter than honey.
Whispered promises, unslakable desire,
Our entwined bodies reflecting in the window glass,
Her reflection craggy, wrinkled, and withered,
The darkness of her soul no longer contained within a youthful facade.
She turned as red as her dress, heels stomping, you can’t walk away from me!
Oh, but I can, you have no power over me.
Yes, I do!! You need me! I am a celebutant! I hold the answers! Only me!
I laughed as I walked away.
The Rain
by Zaina Anwar
The wind
has spoken tonight.
Stars shudder
while the moon
has quietly
slipped away.
Soon, the sky
is swallowed
by savage clouds.
A thick film
of moisture
heavily clings
to every leaf
and languid root.
Children laugh,
their tiny feet
caked with sludge.
Through the streets
they run,
half naked
and oblivious
screaming,
'The rain has come,
the rain has come.'
The wind
has spoken tonight.
Stars shudder
while the moon
has quietly
slipped away.
Soon, the sky
is swallowed
by savage clouds.
A thick film
of moisture
heavily clings
to every leaf
and languid root.
Children laugh,
their tiny feet
caked with sludge.
Through the streets
they run,
half naked
and oblivious
screaming,
'The rain has come,
the rain has come.'
Sunday, January 16, 2011
Kanzamba
by Bryan Murphy
The envelope disgorges a faded photo:
my erstwhile drinking buddy’s younger bro’,
aiming a pre-draft grin into the future
as though he had one.
Whatever did you do
to those choiceless defenders of our freedom,
chosen to manoeuvre apartheid’s army
into check?
Were your jeans a shade too western?
Did you hand them to the sergeant too slowly?
Was your accent not quite right, an exile twang?
Did they just loathe your love of life?
Or was it your large, city-boy’s body, so easy
to pierce with pen-knife, machete, bayonet,
so light to lay out, silent, torn,
unable to accuse, or dance?
They all had a share in your murder,
the other new recruits. Your blood
bound them deeper than any enemy.
Those who lived “won” that war.
Do they still stab conscripts to death
now that peace and playstations rule?
The envelope disgorges a faded photo:
my erstwhile drinking buddy’s younger bro’,
aiming a pre-draft grin into the future
as though he had one.
Whatever did you do
to those choiceless defenders of our freedom,
chosen to manoeuvre apartheid’s army
into check?
Were your jeans a shade too western?
Did you hand them to the sergeant too slowly?
Was your accent not quite right, an exile twang?
Did they just loathe your love of life?
Or was it your large, city-boy’s body, so easy
to pierce with pen-knife, machete, bayonet,
so light to lay out, silent, torn,
unable to accuse, or dance?
They all had a share in your murder,
the other new recruits. Your blood
bound them deeper than any enemy.
Those who lived “won” that war.
Do they still stab conscripts to death
now that peace and playstations rule?
Saturday, January 1, 2011
my gods!
and other theories on the origins of man
by Mike Foldes
1
just add water
a very large man in a white coat
and glasses, a very large man who
somehow resembles einstein, or
your favorite 8th grade science teacher type,
attaches a patch of solid material
to a plastic orb and sets it spinning
like a tiny top. only up close
it looks much larger. up close
it doesn’t look like it’s moving
at all. and in fact the large man
in the white coat who set it spinning
can slow it down and even stop it,
and at one point he does this
to check out how the patch
of solid material on the plastic surface
held up under the centrifugal force
of the spin and finds that several pieces
have split off and formed related
shaped masses here and there
upon the plastic. and with a very
long and finely pointed pair of shining
titanium tweezers he carefully places
fourteen items of genetic code
on different facets of the developing
project, and with a warm breath
of humid air that quickly condenses
onto the plastic surface of the orb,
sets it spinning again so fast
it no longer appears round, but
kind of flattened at the poles.
and that’s about the time things
really begin to change.
1
just add water
a very large man in a white coat
and glasses, a very large man who
somehow resembles einstein, or
your favorite 8th grade science teacher type,
attaches a patch of solid material
to a plastic orb and sets it spinning
like a tiny top. only up close
it looks much larger. up close
it doesn’t look like it’s moving
at all. and in fact the large man
in the white coat who set it spinning
can slow it down and even stop it,
and at one point he does this
to check out how the patch
of solid material on the plastic surface
held up under the centrifugal force
of the spin and finds that several pieces
have split off and formed related
shaped masses here and there
upon the plastic. and with a very
long and finely pointed pair of shining
titanium tweezers he carefully places
fourteen items of genetic code
on different facets of the developing
project, and with a warm breath
of humid air that quickly condenses
onto the plastic surface of the orb,
sets it spinning again so fast
it no longer appears round, but
kind of flattened at the poles.
and that’s about the time things
really begin to change.
CLOUDY VISIONS
by Anita McQueen
Falling from
night sky
raindrop
thousands
tilting
my head back
eyes open
blurring
water from the gods.
Falling from
night sky
raindrop
thousands
tilting
my head back
eyes open
blurring
water from the gods.
The Imperfect Guitar
by Amit Parmessur
Sitting on the wild rocks I marvel at the periwinkle,
fully forlorn in the nearby receding tide pool.
The whistling of the dry coconut leaves in the wind
has been accompanying my pregnant thoughts of you,
with the large and strenuous pelicans surveying the sky,
right above my bewildered head.
I have never ever thought you would leave the
land of our bond and ships would become my enemies.
How dare that elderly ship steal you from me,
making my eyes scarlet in the indifferent crowd.
Sitting on the rocks with my wild guitar I
sing sweet songs of your improbable return, sometimes
dreaming of you dancing, dancing lithely in a ring
of violets, with frisking lambs, piping shepherds.
This evening I have broken a string
as my fingers are a bit too drenched in anger. I close
my eyes and imagine of you sleeping
on a bed of daisies in our favorite valley over there.
I secretly cut a hair from your peaceful head,
fixing it in my excessively grieving guitar.
I start playing again but the other remaining strings
cannot be as melodious as your versatile holy hair,
rendering my guitar uselessly imperfect.
When I open my briny and heavy eyes,
the tranquil sea surface has turned orange,
the sand is a stretch of yellow lawn
and the periwinkle is gone,
leaving the tide pool as good as a forlorn desert. I go
home like a brave camel ready for an endless journey.
Sitting on the wild rocks I marvel at the periwinkle,
fully forlorn in the nearby receding tide pool.
The whistling of the dry coconut leaves in the wind
has been accompanying my pregnant thoughts of you,
with the large and strenuous pelicans surveying the sky,
right above my bewildered head.
I have never ever thought you would leave the
land of our bond and ships would become my enemies.
How dare that elderly ship steal you from me,
making my eyes scarlet in the indifferent crowd.
Sitting on the rocks with my wild guitar I
sing sweet songs of your improbable return, sometimes
dreaming of you dancing, dancing lithely in a ring
of violets, with frisking lambs, piping shepherds.
This evening I have broken a string
as my fingers are a bit too drenched in anger. I close
my eyes and imagine of you sleeping
on a bed of daisies in our favorite valley over there.
I secretly cut a hair from your peaceful head,
fixing it in my excessively grieving guitar.
I start playing again but the other remaining strings
cannot be as melodious as your versatile holy hair,
rendering my guitar uselessly imperfect.
When I open my briny and heavy eyes,
the tranquil sea surface has turned orange,
the sand is a stretch of yellow lawn
and the periwinkle is gone,
leaving the tide pool as good as a forlorn desert. I go
home like a brave camel ready for an endless journey.
What's On Television?
by Julie Kovacs
Grunting and braying
two donkeys fought over
who was in control of the remote
for the plasma screen.
“Boxing!”
“Wrestling!”
both wanted to watch one or the other
sitting inside the spacious
living room
next to the Nile.
Eyes glazed over from
reading the Rosetta Stone
mistaking it for a television schedule
they finally decided to
give up and use the remote
to change the weather
clicking buttons
and more buttons
until they saw rain on television.
Grunting and braying
two donkeys fought over
who was in control of the remote
for the plasma screen.
“Boxing!”
“Wrestling!”
both wanted to watch one or the other
sitting inside the spacious
living room
next to the Nile.
Eyes glazed over from
reading the Rosetta Stone
mistaking it for a television schedule
they finally decided to
give up and use the remote
to change the weather
clicking buttons
and more buttons
until they saw rain on television.
Pirate Night at The Space Pub
by Nicole Taylor
Friends call him
Awesome Austin,
and his Hair poem
and about his brain as a toy prize
and it was an awesome tale.
Tip or Die reads the jar on the bar.
Brutal Brutus stickers on the
cannon ball Moe is turning.
Bondage in my Brain reads
another poet, another freeing soul,
not a stealer of words, stories.
You can say fuck you, and it may not mean anything.
Angst not anger to a person.
Why do we get so offended by these words
or the middle finger?
Ashley reads a great tale, poem,
Wanting, and I am.
Instigate the ones I hate,
reads young Nick.
Candace reads, Dead men tell no tales.
in her pale dress reminding me
of the illustrated man, the heavily tattooed man.
Her guy Moe reads, sings
Fertile Floozy, Sea Hag Wench.
Row, row your boat, matey,
reads Rich
with his pirate arr style.
Time to leave soon but the stickers near me read
Never Sleep. Almost Friday. (But it's Monday.)
Breaking Death. Gladiators Eat Fire. (No
Gladiators or Fireeaters Here.) Dumb Free
Liberty For All and No Moral Chords.
Friends call him
Awesome Austin,
and his Hair poem
and about his brain as a toy prize
and it was an awesome tale.
Tip or Die reads the jar on the bar.
Brutal Brutus stickers on the
cannon ball Moe is turning.
Bondage in my Brain reads
another poet, another freeing soul,
not a stealer of words, stories.
You can say fuck you, and it may not mean anything.
Angst not anger to a person.
Why do we get so offended by these words
or the middle finger?
Ashley reads a great tale, poem,
Wanting, and I am.
Instigate the ones I hate,
reads young Nick.
Candace reads, Dead men tell no tales.
in her pale dress reminding me
of the illustrated man, the heavily tattooed man.
Her guy Moe reads, sings
Fertile Floozy, Sea Hag Wench.
Row, row your boat, matey,
reads Rich
with his pirate arr style.
Time to leave soon but the stickers near me read
Never Sleep. Almost Friday. (But it's Monday.)
Breaking Death. Gladiators Eat Fire. (No
Gladiators or Fireeaters Here.) Dumb Free
Liberty For All and No Moral Chords.
BC Woman
by Paul Vincent Andrews
When she first arrived upon the scene
before the loquaciousness of the crowd
before raspy metal machine music
before the bone yards of fallen empires
before Gods
before I
her feet must have felt strange
planted in the hot arid sand
her eyes compelled to focus
on distant green lights of ancient
phosphorescent plankton
dancing on the rim
of a purple sea
did those green lights spell hope
Or, did she look upon this stage
as the worm devours it’s love the rose
the scrubland behind her
harboring megafauna
with bored opaque eyes
looking down with machinations
of the potential of the rock
next to her
as she skipped
the smaller disc shaped
stones in the sea
the first numbers
rippling
I imagine she turned
and looked back
hard eyes squinted
hungry, and fixated
upon the small furtive
creatures dancing
beside still pools
When she first arrived upon the scene
before the loquaciousness of the crowd
before raspy metal machine music
before the bone yards of fallen empires
before Gods
before I
her feet must have felt strange
planted in the hot arid sand
her eyes compelled to focus
on distant green lights of ancient
phosphorescent plankton
dancing on the rim
of a purple sea
did those green lights spell hope
Or, did she look upon this stage
as the worm devours it’s love the rose
the scrubland behind her
harboring megafauna
with bored opaque eyes
looking down with machinations
of the potential of the rock
next to her
as she skipped
the smaller disc shaped
stones in the sea
the first numbers
rippling
I imagine she turned
and looked back
hard eyes squinted
hungry, and fixated
upon the small furtive
creatures dancing
beside still pools
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